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supported by 13 fans who also own “Letting Go”
I keep playing and playing this over and over again. Sometimes more often than others but I always seem to come back for that inner geometric reset of the hologram 👽I feel like I’m listening to the best representation of light = electricity = what we are 🙌 been following David’s story for 20+ since London days. There’s no fav one for me, the geometry comes full circle and it’s perfect! The joy is in the mystery my fellow beings ☀️
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supported by 12 fans who also own “Letting Go”
These five tracks tell a lucid story with tones and textures, AND nearly demand you move your body during each piece. This EP calls between critical nodes of musical DNA that link together many of my favorite parts of the electronic scene. Good for a party with that edgy energy, a firespin, or night drive!
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supported by 10 fans who also own “Letting Go”
Completely atypical style and genre under the direction of several producers putting their talents and skills offering some different dubstep, bass & hiphop music giving a breathtaking result. Thank you Charlesthefirst & your friends for this awesome & amazing trip.
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Oliver Rhodes, aka Paracusia, captures a spectrum of moods from dreamy nostalgia to wiry anxiety on this EP of highly textural bass music.
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Tunes Of Negation - "Reach The Endless Sea"
by Shackleton
For his debut album as Tunes of Negation, electronic producer Sam Shackleton pivots from apocalyptic dub to mystical psych.
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featured on Bandcamp Radio Jul 14, 2015
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